So any other suggestions on this
On 3/17/08, Korhan Erel <
listekutusu@...
> wrote:
>
> Hi!
>
> Thanks for all the suggestions.
>
> Florian, thanks for pointing me at the right direction about gate signals.
> You're right, a manually triggered gate would work in my setup. The
> crossfader I don't need that much as I will be processing live instruments -
> I'll probably send the instrument signal to the modules via an aux send on
> the mixer (or several signals from the computer via the sound interface). On
> the other hand, I'm sure a crossfader could be used rather creatively.
>
> Heinrich, the idea of repatching is actually quite exciting, but as I will
> be performing with other musicians, I'd like to keep my attention on them
> rather than fiddling with small patch leads. However, I would definitely
> consider starting with a patch and ending with another patch if I get to
> improvise solo. And yes, I would also love to hear some of your
> improvisations!
>
> Korhan
>
>
> On 3/17/08, don hassler <
dlh30039@...
> wrote:
> >
> > I'd love to hear the work, any of this online
> > --- achtung_999 <
heinrich.himmelwasser@...
<heinrich.himmelwasser%40gmail.com>
> > >
> > wrote:
> >
> > >
> > > Hey Korhan,
> > >
> > > I've been using a portion of my a100 system for live
> > > free improvisations. I have a suitcase
> > > filled with modules. I usually make two patches
> > > before the improv. session starts. I use a A-
> > > 138 mixer to switch between patches. I use a Roland
> > > footpedal to control the main level of
> > > my output. During the performance I also mainly
> > > change my patches and/or create a third or
> > > fourth patch. It's mentally quitte tiresome but it
> > > can be very rewarding..
> > >
> > > Have fun!
> > >
> > >
> > >
> > >
> > >
> >
> > __________________________________________________________
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> >
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> >
> >
>
>
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