Hi Florian,

Do you have a track or album name for the material by Lisa Dalbello that
you referred too

I'd be very interested in listening to that effect.

Many thanks

David

David Salter
Senior Consultant
PSG

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________________________________

From: Doepfer_a100@yahoogroups.com [mailto: Doepfer_a100@yahoogroups.com ]
On Behalf Of Florian Anwander
Sent: 14 April 2008 09:34
To: Doepfer_a100@yahoogroups.com
Subject: Re: 1 "BBD - any use other than
flanging/phasing/delay " and other questions



Hi Korhan

> clarify something. The BBD module has been on the list right from the
> start. However, I am having doubts about it lately. I know that I
> don't need phasing, flanging and chorus in my sound. I am also not in
> desperate need of an analog delay (I have an Electroharmonix Deluxe
> Memoryman). What else can the BBD do

You should stop thinking of a flanger as it is presented by typical
guitar stomp boxes, with permanent modulation.
Basically a short delayline with feedback can be seen a specialized
filter. And you never would think of a filter that it has to be
modulated all the time.
Also a Delay always produces a kind of room information (early
reflection. But since it is voltage controllable you are enabled to
change the roomsize depending on musical information. This may be each
note, this may be a part of the arrangement. A very good exampe for this

was the new york based singer and producer Lisa Dalbello who made some
songs in the late eighties where the impression of the refrain became
kind of claustrophobic, because all "rooms" suddenly shrinked down to
something of the size of a packing case. After the refrain the room
impression widened again - very impressive!

Florian





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