indeed.
many thanks for the detailed info!


Bakis Sirros - Parallel Worlds / Interconnected / Memory Geist

1 group owner

www. parallel - worlds - music. com

www. myspace. com/ parallelworldsmusic

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www. myspace. com/ memorygeist

www. DiN. org. uk

www. musicamaximamagnetica. com

www. vu-us. com

--- On Mon, 8/23/10, Florian Anwander < fanwander@... > wrote:

From: Florian Anwander < fanwander@... >
Subject: Re: 1 Re: Modules for increasing VOCODER functions
To: Doepfer_a100@yahoogroups.com
Date: Monday, August 23, 2010, 10:49 PM







 









Hi Bakis



> for the Florian Schneider electronic poem, you have used the A129 vocoder, right

> you have indeed achieved very clear results.

Yes, it is the A129/1 and 2. The carrier source was my Roland JX-3P. I

spoke in a Sure SM58 through my Yamaha console; and recorded it to an

Fostex 280 cassette tape (or maybe I already had an ADAT). The playback

signal was split then into a direct signal and a side chain signal. The

direct path went in one channel of a Yamaha CL2020 compressor, then in

the EQ of my mixer, where the higher frequencies were increased, and low

frequencies dropped. Then from direct out of the desk again in the other

channel of the compressor. The output of the compressor was fed into an

ashley noise gate. The side chain signal I mentioned before was fed into

the sidechain of the noise gate. The output of this signal then was fed

into the A119.



Then again the signal was split:

One path direct into the modulator input of the A129.

The other path into the A122 Highpass.

The output of the Vocoder and the output of the A122 went into a A138

Mixer and from there they were recorded to DAT.



The A122 is set at avery high frequency, so that it sounds like a whisper.



A you can see, if I do vocoder sound, then a lot of effort goes into the

quality of the microphone signal.



Florian























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