The most direct way would be to control them from a common signal. Use a
multiple to split the gate or filter modulation source. However, if you
want to attack several notes independently, like how one plays a piano, then
you need one VCA and envelope for each VCO. If you don't do this, then you
aren't playing "polyphony," it's actually called "homophony."

Monroe

On Fri, Feb 11, 2011 at 12:59 PM, Sidney < sidney_honi@... > wrote:

>
>
> Hi Monroe.
>
> In fact I was looking for something similar to what Florian explained,
> working like a Korg Mono-Poly, because I could use the filters, VCA and ADSR
> modules from my system, just needing to add more oscillators in order to
> achieve a polyphonic system.
>
> Anyway, both ways explained by you and Florian would make a fantastic
> polyphonic system.
>
> But can two or more 111-5's filters or envelopes be synced in some way, so
> for example if I make a filter movement on one of the 111-5 will the others
> follow
>
>
> --- In Doepfer_a100@yahoogroups.com , Monroe Eskew <monroe.eskew@...>
> wrote:
> >
> > If you want to control the volume of each note independently you need one
> > VCA and one ADSR for each voice. You can get away with one filter at the
> > end, but usually there is a filter in each voice.
> >
> > I would recommend 4 A111-5 modules. That's all you need.
> >
> > Monroe
> >
> > On Fri, Feb 11, 2011 at 10:30 AM, Sidney <sidney_honi@...> wrote:
> >
> > >
> > >
> > > Hello. I am very interested about the possibilities of the A-190-5
> > > Polyphonic Midi-to-CV/Gate Interface. Does anybody knows if four
> oscillators
> > > controlled by one Midi channel, could be connected to a A-138 B mixer
> module
> > > and this output connected to a single filter and ADSR envelope to make
> a
> > > complete polyphonic system Or would I need a filter and adsr and vca
> per
> > > voice
> > >
> > > Thanks,
> > > Sidney.
> > >
> > >
> > >
> >
> >
> > [Non-text portions of this message have been removed]
> >
>
>
>


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