I can see how having perhaps 2 or 3 of these samplers filtered and mixed together, cross-fading and panning with slow random, slewed modulation of the wavetable positions, cutoff frequencies and spatial position would create a fantastic atmospheric canvas.
I love the way low-pass filtering the samples smooths out some of the 'poor 8-bit' raw quality. I like to filter in this way and then follow it with some re-destruction using an A-189-1 and then add some reverb. So many possibilities.
You can maybe guess that I annoy my wife and daughters with these sounds!