Hi Sebastion
I'm a standard keyboard sort of person myself, and I like to use
midi and the A191 for tweaking the patch, rather than turning knobs
on the A100 modules. That way there isn't a lot of fuss about
reaching through patch cables to manipulate small knobs while
playing the keys at the same time.
I mostly use the joystick, velocity and pressure on my venerable Korg
M1, along with a volume pedal. All of this stuffed can be patched
to anything on the A100, but I tend to keep pb and ctrl 2 in their
traditional roles for pitch bend and vibrato, use the pedal for
filter cutoff, and ctrl 1 and pressure for more esoteric things
like FM amount. Velocity is almost always patched to an A132 to
control VCF envelope amount.
I used to have a small midi fader box on top of the keyboard also, but
its now defunct. (I replaced it with a Regelwerk, but that's more for
studio work).
The M1's audio outputs haven't been connected to anything for a long
time, but I haven't found a good replacement keyboard yet. Maybe the
Doepfer std kbd will eventually appear. I think that a Moog Voyager
would be a wonderful keyboard controller for the A100, but expensive.
Glad your gig at Pathos went well. Did you record it If so, we'd love
to hear some of it.
Joe
--- In
Doepfer_a100@yahoogroups.com
, "Sebastian Schnitzenbaumer"
<schnitz@m...> wrote:
> Hi Doepfer Community,
>
> just wanted to report from my experience being on stage
> with my Doepfer A100 Mini System.
>
> We performed at Pathos, Munich last Friday. The only
> instrument I took was the Doepfer.
>
> It worked.
>
> The machine didn't let me down.
>
> I'm now thinking of using it at MayDay and Love Parade
> this year.
>
> From that experience I will now open my Doepfer Module
> chapter again and gear my doepfer towards a mobile
> performance device.
>
> Sound-wise, I have decided to leave the experimentation
> corner and move towards the classic keyboard setup.
>
> This means that I will be thinking about Polyphony,
> what Keyboard to use with the Doepfer, and focus on
> warm analog sounds I primarily access thru a (standard)
> keyboard. So spend less time turning nobs, more time
> keeping the fingers on the keys.
>
> From all the things you can do with the Doepfer system,
> I'm therefore now looking into the "normal" synthesizer
> operating mode.
>
> As I have been tortured thru a classic piano education
> in my youth, I feel comfortable expressing myself thru
> the keyboard itself. What the Doepfer System gives me
> though, is an extremely fat and unprecedented warm sound.
> This is what I'm looking for. Less rhythm-oriented or
> sound-design oriented patches or altenative user
> interfaces. User Interface is exactly the point here. The
> standard keyboard happens to be a really well-debugged
> user interface I came to value again on stage, whilst
> turning nobs is cool but gives me less overall
> expressiveness, that is, while being on stage.
>
> I have managed, however, to play a pretty fast bass line
> with my left hand on the keyboard while slowly turning
> one nob with my right hand on my Doepfer system
> on stage (took me a while to practise - accessing two
> different user interfaces [keyboard, nob] with each hand
> independently under stress conditions without any
> loss of timing).
>
> I think this essentially means that I will keep a certain
> patch going as-is and unchanged for a while, and try to
> patch all "configuration" of that sound into one or
> two nobs that are easily accessible on stage. What I
> mean is: on stage its dark, or lights flash - and if my
> Doepfer buries nobs under the cables from the patch,
> it is *really* hard to get to the right nob fast - also while
> being only under half my brain capacity since my other
> hand keeps a groove going on the keyboard - so chances
> are high that you end up turning a different nob by mistake.
>
> So I'm thinking of using blind plates next to that one
> module in my new setup that is patched to be safe to
> operate under live conditions.
>
> Anyone with similar experiences and thoughts
>
> Cheers,
>
> - Sebastian