couldn't agree more. best to find a monitoring situation that you can work with
and stick to it. most important to know your speakers regardless of how great
or crappy they are.

guess this is only important though for recording. ..

as for how i like to listen to my a100, it varies. sometimes straight into the
console (trident), sometimes through an old tube guitar amp (small silvertone)
and recorded w a ribbon mic. wonderful! either way, usually end up coloring
the sound a little bit w some eq or by inserting a limiter.

i love lots of modern electronic music (fennesz, ekkehard ehlers, vladislav
delay, microstoria, jan jelinek, burnt freidman) but my heart belongs to the old
school. and to dub.

-psm



--- In Doepfer_a100@yahoogroups.com , "selfoscillate <synaptic_music@y...>
" <synaptic_music@y...> wrote:

> > But to my experience the _real_ neccesary thing is a long time
> experience
> > in listening over your only one Monitoring system. Hear everything
> you like
> > and also everything you don't like over your only one monitor. It
> does not
> > matter whether you hear loud or not whether it costs thousands or
> some ten
> > bucks: the only thing that matters, is, that _you_ can differ good
> from bad
> > on _your_ monitors.
> >
> > Florian
>
> absolutely right.
>
> best wishes
>
> self oscillate