the pll is a great blend of crude digital chip and analog
oscillator. the resulting sound is an analog waveform determined by
a digital brain that can't make up it's mind about where it wants to
settle down.

it is novel, but i think it's something you reach for when you want
an unstable texture. some of the timbres will have a
nasal "hardsync" type of vibe to them, a good lead sound, but may
not track a tempered scale.

i think anyone can find a way to use it, though, even in
conventional music. depending on how much you are willing to mess
with the normal schematic of it, there is an enormous variety to the
results.

-tom

--- In Doepfer_a100@yahoogroups.com , "selfoscillate"
<synaptic_music@...> wrote:

>
>
> hello julian,
>
> my examples show audio applications only.
> since the pll has a "wacky" behaviour and outputs
> a squarewave only, it is definitely not made for
> suble sounds.
>
> but the pll can also be used for controlling other modules
> and then also subtle changes can be achieved, but that depends
> mainly on the other modules used in the patch.
>
> best wishes
>
> ingo
>
>
>
> --- In Doepfer_a100@yahoogroups.com , "Julian" <julian@> wrote:
> >
> > Hi there,
> >
> > Im thinking of getting the PLL module, but, yes, its hard to
> understand. Ive listened to the three mp3s i could find (thank

you

> ingo) but they are, not the same, but similar (as youd expect from
> the same module, i guess ; )
> >
> > I was wondering if anyone had any audio clips to demonstrate

more

> of the range of capability of this module
> >
> > Cheers, Julian
> >
> >
> >
> >
> >
> >
> > [Non-text portions of this message have been removed]
> >
>