Hi Peter,
it is really one of these very particular modules which make the A100 so unique.
And module of the (last or every) year Yes, one of the candidates, but there are so much others...take them all and use them simply!
And the trouble in paradise Maybe the A 101-9 may solve this problem for those users who really need this function.
Otherwise you can patch the A-135 VCMIX between source (the OSC Mix) and destination (the Audio Input of the Wave Multiplier).
best regards
Axel Jungkunst

"(i think you can figure that out)" < peter@... > schrieb:

> Shit...he did it again.
>
> Dieter Dopefer has pulled a off a big winner with the A-137 Wave
> Multiplier. One of the most unique sound modifiers to come
> around in some time, and argueably the best waveshaper ever
> released IMHO.
>
> If you don't have one - get real. If you do have one, try this at
> home:
>
> Tune to Saw VCO's to octaves, mix them, put them both thorugh
> one wave multiplier. Settings as follows:
>
> Mult 5.5
> Fold 0
> Sym 3.5
> Harm 5
> Level 4
>
> Put the output through a nice, phat lowpass and use it as a gate
> - play. You'll freak. Play around with the level setting as well,
> you'll get multo timbral variations. Add a little VC to the Sym
> knob, even more. If you happen to sport Model 15s, then use the
> Morph out and use the same EG opening the filter to morph the
> waveshape. wow.
>
> It sounds very wavetable-ish, without all that pesky aliasing.
>
> Trouble in paradise: One thing I wish for is a VC level control
> input. Many timbral variations occur based on how hard to drive
> the clippers. You can do it with an external VCA of course
> leading into the device, but it would have been wack had it been
> an A-137 feature.
>
> Even taking that completely personal preference into account,
> this thing still is one of the best instruments to hit my ears in a
> long long time.
>
> Way to go, Deet!
>
> - Peet
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> Yahoo! Groups Links
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